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Wish to decrease the number of bootstrap resamples ( n_boot) or set Note that this is substantially moreĬomputationally intensive than standard linear regression, so you may If True, use statsmodels to estimate a robust regression. Intervals cannot currently be drawn for this kind of model. Model (locally weighted linear regression). If True, use statsmodels to estimate a nonparametric lowess So you may wish to decrease the number of bootstrap resamples Is substantially more computationally intensive than linear regression, Statsmodels to estimate a logistic regression model. If True, assume that y is a binary variable and use If order is greater than 1, use numpy.polyfit to estimate a Seed or random number generator for reproducible bootstrapping. Otherwise influence how the regression is estimated or drawn. That resamples both units and observations (within unit). This will be taken into account whenĬomputing the confidence intervals by performing a multilevel bootstrap If the x and y observations are nested within sampling units, This value for “final” versions of plots. Value attempts to balance time and stability you may want to increase Number of bootstrap resamples used to estimate the ci. TheĬonfidence interval is estimated using a bootstrap for largeĭatasets, it may be advisable to avoid that computation by setting This willīe drawn using translucent bands around the regression line. Size of the confidence interval for the regression estimate. If True, estimate and plot a regression model relating the xĪnd y variables. If True, draw a scatterplot with the underlying observations (or Standard deviation of the observations in each bin. If "ci", defer to the value of theĬi parameter. Size of the confidence interval used when plotting a central tendencyįor discrete values of x. x_ci “ci”, “sd”, int in or None, optional When this parameter is used, it implies that the default of This parameter is interpreted either as the number ofĮvenly-sized (not necessary spaced) bins or the positions of the binĬenters. The scatterplot is drawn the regression is still fit to the originalĭata. x_bins int or vector, optionalīin the x variable into discrete bins and then estimate the central If x_ci is given, this estimate will be bootstrapped and aĬonfidence interval will be drawn. This is useful when x is a discrete variable. x_estimator callable that maps vector -> scalar, optionalĪpply this function to each unique value of x and plot the Tidy (“long-form”) dataframe where each column is a variable and each When pandas objects are used, axes will be labeled with If strings, these should correspond with column names Parameters : x, y: string, series, or vector array There are a number of mutually exclusive options for estimating the Plot data and a linear regression model fit. regplot ( data = None, *, x = None, y = None, x_estimator = None, x_bins = None, x_ci = 'ci', scatter = True, fit_reg = True, ci = 95, n_boot = 1000, units = None, seed = None, order = 1, logistic = False, lowess = False, robust = False, logx = False, x_partial = None, y_partial = None, truncate = True, dropna = True, x_jitter = None, y_jitter = None, label = None, color = None, marker = 'o', scatter_kws = None, line_kws = None, ax = None ) # The most common way to assess whether or not the observed value of Spearman's correlation is significant is to compare with the corresponding How to assess whether or not Spearman's correlation is significant? Typically you will write something like: "The ordinal variables X and Y show a significant degree of linear association, \(r_s =. How to report Spearman's correlation? Very similarly to the way it is reported for the case of Pearson's correlation. Also, to graphically visualize the data and understand better the linear association between the variables X and Y, you can use our Pearson's correlation coefficient calculator You use the formula used for Pearson's correlation to find the correlation of those ranks. \Ī great way of seeing this process is to first find the rank associated with each of the values in the sample, and then The formula for Pearson's correlation coefficient is: How do you calculate Spearman's rank correlation? (which means that it does not work with nominal or ordinal variables). The requirements for computing it is that the two variables X and Y are measured at least at the interval level The correlation coefficient calculated above corresponds to Spearman's correlation coefficient. ![]() More about the Spearman correlation coefficient We can certainly say that Garfield is curious. The Exotic Shorthair is known to be laid-back and playful. The Persian cat is known to be curious, intelligent, vocal, and extroverted. Let’s explore the traits of the Persian and Exotic Shorthair more. However, judging by his personality, facial features, and his fur pattern, it’s possible that Garfield may be closest to an orange tabby Persian or Exotic Shorthair. The creator has said Garfield is a composite of different breeds. While it’s obvious Garfield is an orange tabby cat, there have been questions for years regarding what type of cat he is. ![]() When he got the feedback that no one could relate to bugs, he based it on a cat because there were already too many dog-centric comics. Jim Davis originally created a comic strip called “Gnorm Gnat” focusing on bugs. It’s one of the most popular comic strips in the world, having inspired multiple movies, TV shows, and video games. It would be hard to find someone who hasn’t heard or seen anything about Garfield. What Kind of Cat is Garfield – The Most Well-Known Fat Orange Tabby Cat? However, is it true? Does Garfield represent the true nature of every orange tabby cat? With Garfield’s fame throughout America and the world, orange tabby cats have gained the reputation as fat and lazy. Garfield loves lasagna more than anything… and will do anything to get it! The main character of the comic strip is none other than Garfield, a fat orange tabby cat. ![]() Over the next 40 years, the strip reached over 2000 newspapers and holds the Guinness World Record for being the world’s most widely syndicated comic strip. Garfield was an American comic strip created by Jim Davis in 1976. There is another teleporter in Area 51 which takes the players to the Receiving Bay. A Teleporter which takes the players to Area 51.A new type of Zombie: Astronaut Zombies.A new Wonder Weapon grenade: The Quantum Entanglement Device (QED).When the perk is lost, the gun that the player buys within that slot will disappear. When bought, the player will receive a third gun slot. Note that Area 51 does not feature rounds, instead it will last until the players die or use the teleporter, with the zombies getting stronger and faster as time goes by. Any locations that have no oxygen also have low gravity. However, oxygen can be removed by either Excavators, or if they player breaks a window with explosives in the laboratories or spawn room. Once the power has been restored, artificial gravity will be restored inside the buildings. Unlike the previous maps, there will not be any weapons in the "spawn room", needing to open another door to gain access to the M14/ Sheiva and the Olympia/ RK5, along with two more spawn areas, with the "spawn room" only having two barricaded windows. station will be directly in front of the player when they are teleported. When first arriving, artificial oxygen will not be available, making a P.E.S. To fully activate the teleporter, the players must stand on it. If players are overwhelmed, they can fall back to the teleporter where they will be sent to the Receiving Bay at Griffin Station, on the moon. Juggernog or Speed Cola will randomly spawn, alternating each time the player travels to Area 51, and at the beginning of each game. Hellhounds will spawn randomly with the zombies, with a maximum number of 10 able to spawn at once. Two sounds will be heard, a buzzer which signals the access to the teleporter to go to the moon and then an alarm similar to that of the Tactical Nuke sounds to alert the players each time the zombies gain more health. ![]() Spawning in Area 51, zombies will spawn with low health and speed, as if it were round one, and gradually over time become stronger and faster as time increases. ![]() Moon features a brand new Zombie called the Astronaut Zombie, who will walk around slowly, and if it can grab the player, it teleports the player randomly to another place if they have opened the door leading towards that specific area and, only if the player bought a perk, the astronaut zombie will also steal a perk, it also has massive health, similar to the Napalm Zombie from Shangri-La. grants the player the ability to survive in locations which contain no oxygen, while the Hacker device allows the player to hack various objects throughout the map to produce a wide assortment of effects. ![]() Two new pieces of equipment also make their debut: the P.E.S. Two new Wonder Weapons make their debut: the Wave Gun and the Quantum Entanglement Device, with the Gersh Device replacing the Monkey Bomb from other maps. Occurring in Area 51 (Also known as Groom Lake and No Man's Land) and on the Moon itself, this map is a challenge for all players. Call Of Duty Mobile Review - Boots On The Go ![]() It's hard to give a definitive answer here. Matt Gadient on Apclick here to reply Anonymous: I know that's probably not the definitive yes/no answer you might have been looking for, but I hope that helps. Regardless, going with the highest profile your device(s) support is usually the safe way to go. It's a larger issue if you try to start encoding BluRays at low RF values (high quality) and trying to use a profile of less than 4.x. This sort of thing usually isn't an issue if you're dabbling with DVD encodes at reasonable RF values, and trying to choose between say. Even though you chose RF18, the low level didn't allow it to use enough of a bitrate. You'll see massive blocking, because the bitrate is constricted by the level/profile. An easy way to see an extreme example of this is to encode a 30 second DVD clip at RF18 (which would normally look good), but use something like main profile level 1.0. For example, quality might plummet if you choose a level that's too low for your source at the RF value you've chosen. File sizes may change though, particularly if you're mixing it with slower settings - lower profiles/levels will often result in bigger files, whereas higher profiles/levels will often result in smaller files. It usually* shouldn't affect the quality you see (assuming you're using RF values). Matt Gadient on Jclick here to reply Jeremy: And if you’re new to encoding with Handbrake, hopefully this has helped you to get a better understanding of the Constant Quality setting and the effects of various RF values. Dropping the RF value by 2 saves under 20MB (9-12%), and the video is noticeably worse.Īll that said, be sure to draw your own conclusions. You really start to lose a lot of quality for each bit of filesize you try saving. It’s a matter of how much you can tolerate at this point. RF26-32 is where noticeable degradation comes about.You save under 40MB (19%) by dropping from RF22 to RF24 here. RF22-24 is about the point where visual differences are starting to become noticeable, but typically not to the point where they’d stand out when you’re actually watching.The reductions in file size here tend to be substantial though, almost 100MB smaller (28% savings) by going from RF18 to RF20. RF18-20 are incredibly close in the images, and it’s pretty hard to tell the difference when it comes to watching the video.At that point, you’re probably better off keeping your original source rather than trying to recode it. RF10 looks almost identical to RF0 in the images, but still results in a massive file size – quite possibly similar to the size of your source.Note that these sizes ONLY apply to this episode of this source :Ī few things you probably observed when comparing to RF:0 (the lossless version): Now that you hopefully have an idea as to how each of the videos look, let’s see what each weighed in at for the full 43m8s episode. Note that YouTube re-compresses videos – I kept it at full-quality as long as I could, but I suspect YouTube won’t be fine with serving up a 360MB video that only lasts 35 seconds, so we’re at the mercy of their encoder. Note that you must click the appropriate buttons to watch this at full-screen 1080p if you want to see the differences somewhat clearly. Of course, this only goes so far – once the RF value is high enough, there’s no saving Jack’s facial features from the effects of compression!įor those interested, I’ve also got another page on this site that lets you compare x264 vs x265 vs VP8 vs VP9 (at various RF and bitrate settings).Ī static image isn’t always great, so here’s the 35-second video I made showcasing the difference between these RF settings in “24”. Worth noting that x264’s psychovisual enhancements (trellis, etc) do a pretty good job of keeping detail where you’d notice it (the face), at the expense of the stuff you normally wouldn’t notice while watching (like those background areas). Note that the first one (RF0) is for reference (lossless). Pictures should work for nearly everyone. There’s a video below too, but it comes with a bit of a caveat so might not show everything well for you. I’ll start with a few screenshots at different RF values. I tested the following RF values (listed in Handbrake under “Constant Quality”: Defaults for everything else (Handbrake 0.9.9 on OSX).If you have the same DVD and are looking to reproduce this test, the following settings were used: I started with encodes from the “24” DVD (Season 6, Episode 1). Here, I’m taking a look at various RF settings in Handbrake, both in terms of visuals and filesize. ![]() The queens thank her for sharing her story and reassure her that she’s grown so much in the competition. Kandy talks about being physically assaulted after school, and how that trauma contributed to how she still gets defensive when conflict presents itself. Rosé says she’s known as a comedy queen back in New York, and Tina says that simply is not true. It’s elimination day, and as the queens get ready for the runway, they talk about their brand outside of drag race. Utica strangely, but unsurprisingly suckles plastic cow utters, and Kandy is all over the place, but she’s making it work for her Gottmik starts with a fart, and finishes with pouring her soda all over herself, so it could really go either way. Olivia does everything she can to make sure her branding shines as bright as her smile, and Symone impresses Ross and Carson with how great she is in one take. Tina starts, and hits some bumps with the wording of her script. It’s time to film, and the queens take turns bringing their commercials to life with Ross and Carson directing. In the middle of preparing for the branding challenge, last season’s winner Miss Jaida Essence Hall appears in the work room remotely to help encourage the queens and give a little advice. I don’t know if this is the challenge to do that, but that’s not my soda can to open. Others are taking this opportunity to slightly reinvent themselves. Some queens entered the work room episode one with a clear brand, and they’re sticking to it with their soda. While Tina is busy practically re-writing the Godfather trilogy for her 45 second commercial, the rest of the queens get to storyboarding their commercials. After being read by the judges for her branding last week, Olivia is feeling like she has a lot to prove in this challenge. They must work their brand to the bone with designing a product, coming up with a commercial for it, and creating a unique jingle. This week’s maxi challenge the queens will be using every part of their charisma, uniqueness, nerve, and talent to create, and market their own soda. Kandy surprisingly answers the math question correctly and wins the mini challenge. Ru enters the room and introduces this week’s mini challenge, Are You Smarter Than the Pit Crew? The queens take turns answering Drag Race trivia, with categories like “Back Rolls!?” “Go Tuck Yourself”, “Shit Drag Queens Say” and “That Sounds like Math!” (I love foreshadowing). At the table, Kandy confuses $2500 with $25,000, (math is really hard you guys!) and Ru’s video message hints at the queens having to WORK for their money henny. It’s a new day in the work room and the remaining queens enter, ready to take on whatever this week is going to throw at them. ![]() Kandy mentions something about being at the top one week and being in the bottom the next. Olivia says she doesn’t take almost everybody saying she should go home. ![]() Over on the couches the queens congratulate Symone and Utica on their win. Olivia cleans the mirror, and knows she needs to keep moving forward in the competition. Rosé is super sad about Denali’s departure. This week’s episode starts in the work room of course! The queens enter, fresh after Denali’s (debatably untimely) elimination. This week we see the queens create, and market their own soft drinks. We should be 2 weeks from the finale right now, and we still have half the queens to send home. Do we want any extra queens to suddenly come back to the work room? No. Should Denali still be in the competition? Yes. ![]() Many believed that it should have been Olivia going home, after the critiques Denali received were all directed at the way Olivia put her look together. Last week Ru said sashay away, and we said goodbye to Denali, and the public reaction to that decision has been…not great. Well, we’re 11 episodes in and it’s finally starting to feel like we’re in the middle of a race. ![]() This section covers np.array(), np.zeros(), np.ones(), Read more about array attributes here and learn aboutĪrray objects here. You can often access an array through its attributes. Need to get, or even set, properties of an array without creating a new array, Objects, different arrays can share the same data, so changes made on one array mightĪrray attributes reflect information intrinsic to the array itself. Just like in other Python container objects, the contents of an array can beĪccessed and modified by indexing or slicing the array. The first axis has a length of 2 and the second axis has Shape of an array is a tuple of non-negative integers that specify the sizes of The number of dimensions and items in an array is defined by its shape. For 3-D or higher dimensional arrays, the termĪn array is usually a fixed-size container of items of the same type and size. A vector is an array with aīetween row and column vectors), while a matrix refers to anĪrray with two dimensions. Is used to represent both matrices and vectors. You might also hear 1-D, or one-dimensionalĪrray, 2-D, or two-dimensional array, and so on. Shorthand for “N-dimensional array.” An N-dimensional array is simply an array You might occasionally hear an array referred to as a “ndarray,” which is This section covers 1D array, 2D array, ndarray, vector, matrix > print ( a ) More information about arrays # One way we can initialize NumPy arrays is from Python lists, using nested lists The shape of the array is a tuple of integers giving the size of The rank of the array is the number ofĭimensions. The elements are all of the same type, referred to as the array dtype.Īn array can be indexed by a tuple of nonnegative integers, by booleans, byĪnother array, or by integers. It has a grid of elements that can be indexed Values and it contains information about the raw data, how to locate an element,Īnd how to interpret an element. What is an array? #Īn array is a central data structure of the NumPy library. NumPy uses much less memory to store dataĪnd it provides a mechanism of specifying the data types. NumPy arrays are faster and more compact than Python lists. On arrays would be extremely inefficient if the arrays weren’t homogeneous. The mathematical operations that are meant to be performed ![]() While a Python list can containĭifferent data types within a single list, all of the elements in a NumPy array ![]() NumPy gives you an enormous range of fast and efficient ways of creating arraysĪnd manipulating numerical data inside them. What’s the difference between a Python list and a NumPy array? # It can be safely typed or pasted into the IPython shell the > Note that it is not part of theĬode and will cause an error if typed or pasted into the Python IPython, you might see a different style. You see when you run python on the command line, but if you’re using Is output, or the results of running your code. Everything that doesn’t have > in front of it If you see >, you’re looking at input, or the code that If you aren’t familiar with this style, it’s very easy to understand. If you already have Python, you can install NumPy with: If you’re looking for the full instructions for installing NumPy on your To install NumPy, we strongly recommend using a scientific Python distribution. Learn more about NumPy here! Installing NumPy # That guarantee efficient calculations with arrays and matrices and it suppliesĪn enormous library of high-level mathematical functions that operate on these ![]() It adds powerful data structures to Python NumPy can be used to perform a wide variety of Ndarray, a homogeneous n-dimensional array object, with methods toĮfficiently operate on it. (you’ll find more information about this in later sections). The NumPy library contains multidimensional array and matrix data structures Matplotlib, scikit-learn, scikit-image and most other data science and The NumPy API is used extensively in Pandas, SciPy, To experienced researchers doing state-of-the-art scientific and industrial NumPy users include everyone from beginning coders Working with numerical data in Python, and it’s at the core of the scientific NumPy ( Numerical Python) is an open source Python library that’s used inĪlmost every field of science and engineering. Suggestions, please don’t hesitate to reach out! Welcome to NumPy! # Welcome to the absolute beginner’s guide to NumPy! If you have comments or NumPy: the absolute basics for beginners # ![]() But he endorses Parker's point about tolerance: "Lying at some point seems forgivable: everyone is a liar." Rupert Everett sees Robert Chiltern, the ideal husband, as a twist on the romantic political hero of 19th-century theatre and also makes analogies with Bill Clinton and other contemporary political scandals. "We pulled it out of the city and put it in the countryside because we felt that a lot of people in the country still speak and act like Oscar Wilde's characters." Parker, meanwhile, kept the 19th-century setting, while attempting to transform the melodrama into drama and farce into romantic comedy. "We felt that it was very relevant to a modern setting," says Figuero. However, a plot about an ideal husband, whose marriage and promising political career, are endangered by past financial irregularities, has obvious contemporary resonance. Wilde's dialogue is brilliant, but artificial, and his structures theatrical. People appropriate some of the classic writers and make them conventional." And I was conscious that the audiences I was playing to were often not those that I felt should necessarily be seeing the stuff. "He's a terrifically exciting, rebellious character. Virtually everything he writes about touches on some sort of plea for tolerance. It was so cloaked, which made it all the more moving. "I began to realise he was the opposite of my preconceptions," says Parker. He changed his mind after reading the late Richard Ellmann's biography, which provided the framework for the film Wilde. Oliver Parker appeared in a stage production of The Importance Of Being Earnest about 10 years ago and at the time regarded Wilde as "clever-clever and rather callous and cynical". Then when they started to look at Wilde in the seventies, they suddenly thought, Oh my God, the whole thing about being gay and being closeted, and leading a double life, was covered by Wilde in the 1890s.' Suddenly these were no longer seen as old-fashioned, dumb waxwork people these were actually highly subversive, highly intelligent plays." Sheridan Morley, theatre critic, Wilde biographer and son of Oscar's screen alter ego, Robert Morley, says: "He went into decline because of the coming of John Osborne and the Royal Court. Ironically, the two biopics appeared at a time when Wilde's plays, with their finery and upper-class characters, were falling out of fashion. An Ideal Husband was filmed in the forties with Paulette Goddard. There had already been numerous films of Wilde plays and stories, including The Importance Of Being Earnest, Lady Windermere's Fan and The Picture Of Dorian Gray, which proved most cinematic, for obvious reasons. ![]() The production of two simultaneous biopics probably had as much to do with the growing, though still cautious, debate over homosexuality, as it did with interest in Wilde - Dirk Bogarde's film Victim followed soon after. In 1960, The Trials Of Oscar Wilde, starring Peter Finch, began shooting four days before Oscar Wilde, with Robert Morley. This is the second historical clash of Wilde films. It might be better to allow a decent interval between the two, but Figuero hopes his film will appear "close on the tail of the other one", believing interest in Wilde is sufficient to support both. Parker and co had a red-hot cast and a £6.5 million budget courtesy of Pathe, Miramax, Mel Gibson's Icon company and the Arts Council of England's Lottery funds, whereas the rival had the less hot James Wilby and Sadie Frost, cameo appearances from Tamara Beckwith and Tara Palmer-Tomkinson and a budget of less than £1 million raised by public subscription, prompting reports of a David and Goliath battle, the Hollywood film versus the people's film.Īlthough Parker's film was second into production, it has reached cinemas while rival producer Daniel Figuero continues to discuss a distribution deal. Barnaby Thompson and Susan Landau subsequently joined forces, but Wilde's work was out of copyright and they were in pre-production before discovering the existence of a rival Ideal Husband. Oliver Parker, who had previously directed Othello with Laurence Fishburne and Kenneth Branagh, was approached by two producers simultaneously. The success of the long-running West End revival of An Ideal Husband was reinforced by the appearance of the film Wilde, and suddenly producers were falling over each other to do a film version. With Titus in post-production, and Love's Labour's Lost currently before the cameras, cinema has all but exhausted the works of William Shakespeare and Hollywood is on the lookout for the next great dead writer.Ī film adaptation of An Ideal Husband opens here on April 16, with a cast including Rupert Everett, Minnie Driver and Cate Blanchett. The timing of Wilde's re-emergence could not be better. 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